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Opis

During the composition of "Strophes" (2003), in which the architectonic features of a high-tech factory influenced various parameters of the work such as the production of sounds, Marios Joannou Elia developed the concept of polymediality. This involved two dimensions: the work-immanent compositional dimension and polymediality in the process of staging. The prefix poly denotes a qualitative paradigm shift; not a quantitative much, but a qualitative, polyaesthetic more. Written between 2007 and 2010 as a commentary focused on his opera "Die Jagd" (2008) and the orchestral piece "Akanthai" (2009), this book illuminates Elia's concept of polymediality and, by providing a wealth of examples, how literary sources become an inherent polymedial element of his music. At the same time, the commentary elucidates a series of fundamental aspects of the music, including the model of imitative interaction, the concept of permanent fleetingness, the concept of polyaesthestics, and the question of musico-literary intermediality.

Szczegóły książki

• Pełny tytuł: The Concept of Polymediality
• Podtytuł: Literary Sources as an Inherent Polymedial Element of Music
• Autor: Marios Joannou Elia
• Język: Angielski
• Oprawa: Twarda
• Liczba stron: 116
• EAN: 9783959831017
• ISBN: 3959831013
• ID: 16201323
• Wydawca: SCHOTT MUSIC GmbH & Co. KG / Schott Campus
• Waga: 285 g
• Wymiary: 220 × 140 × 12 mm
• Data wydania: 13. April 2017

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