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Opis

Following the official end of the Cultural §Revolution in 1977, China began reforms from 1978. §Although the initial goal of the reforms was to §improve the nation s economy, changes soon occurred §across other fields ranging from politics to §culture, from society to the legal system. These §changes had a significant impact on the development §of Chinese film. Applying contemporary theories and §citing numerous sources in both Chinese and English, §this book examines the works of acclaimed Chinese §third- to sixth-generation directors from 1977 to §1996. Many of these filmmakers are now §internationally famous either for their cinematic §achievements or for the political controversies §arising from their films. The author argues that §Chinese film during this period experienced a shift §of cultural identity from subjection to Chinese §tradition to submission to transnational globalism. §The analysis of how and why Chinese films have §become internationally popular recently should be §especially useful to those interested in Chinese §cinema. Some provocative arguments by the author are §likely to trigger further debate on the preservation §of tradition and globalization.

Szczegóły książki

Kategoria Książki po angielsku Society & social sciences Society & culture: general

• Pełny tytuł: Identity, Tradition and Globalism - Post-Cultural Revolution
• Autor: Adam Lam
• Język: Angielski
• Oprawa: Miękka
• Liczba stron: 316
• EAN: 9783639111064
• ISBN: 3639111060
• ID: 04334139
• Wydawca: VDM Verlag Dr. Müller e.K.
• Waga: 440 g
• Wymiary: 224 × 152 × 20 mm
• Data wydania: 23. December 2008

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