Code: 04707823
In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical -- as opposed to a dramatic -- nec ... more
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In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical -- as opposed to a dramatic -- necessity for opera during this period and that Mozart's Idomeneo is properly enjoyed and judged only when listeners axe attuned to its seventeenth and eighteenth-century forebears.
Book category Books in English The arts Music Music: styles & genres
29.58 €
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